![]() ![]() You go on to find out that one of them are probably murderers. From the start, you’re introduced to three couples. This is probably the best movie on the list, but it’s not due to its twist ending, which is nearly as predictable as they come. It’s supposed to be a clever reveal when Depp opens the safe only Pierce is supposed to know how to get into, but really, all it got from me was an audible groan. The movie revolved around the identity of this mysterious guy, and the poor dude who got confused for him. The whole thing gets fairly complicated, but the important part is that Depp is revealed to have been Pierce all along, and his romance with Jolie was just a continuation of their love that they’ve been hiding for years.Īnd anyone with half a brain would have known that’s how things would end up. In order to do so, she sets up the innocent Johnny Depp as a decoy for Pierce, and he spends most of the movie being confused and having run-ins with gangsters who believe him to be the man who has stolen millions from them. Angelina Jolie is a CIA agent who has been tasked with helping to hunt down the criminal, who happens to be her ex. The Tourist is the tale of a hapless traveler who gets mixed up in the pursuit of a tax evader named Pierce. I’m beginning to see a trend amongst these films. But I think that idea was only plausible because Dakota Fanning is just such a creepy kid. I rank this at #7 because I suppose there was always that notion that the daughter’s alternate personality was responsible for everything, as little sense as that made. Considering there are only two real characters in the film and never any evidence of anything supernatural, you had a 50/50 shot of getting that right. Shocker of all shockers, it ends up being his alternate personality. The entire movie revolves around a father’s little girl being tormented by some dark, unseen presence that only she is able to interact with. Hide and Seek, another critical flop starring Robert De Niro and Dakota Fanning, didn’t do that. It’s used time and time again, and it’s become nearly impossible to pull off without everyone seeing it coming ahead of time.īut you can at least put a little effort into it. One of the decade’s most popular twists to tack onto a horror thriller is the reveal that the protagonist was the bad guy all along. At the end of the film, the old lady rises from the dead, SHOCKING everyone and letting the remaining character go because he admits his sins or whatever.īut anyone who’s ever seen a mystery thriller knew who the devil was within the first 5 minutes. ![]() ![]() But considering the entire movie focused on the supernatural, it was completely plausible that the Devil was just fucking with them, and that’s exactly how it turned out. I’ll admit that when she “died”, I began to think that maybe there would be some elaborate reveal implicating none of the passengers in the elevator. The person you’d normally be inclined to suspect the least is probably the one you should suspect the most. After all, she was the only person in the car who didn’t seem suspicious. So against my better judgment, I not only rented Devil, but actually sat down eagerly anticipating what I would get from it.Īs soon as the cast of characters inside the elevator was assembled, I called the kindly elderly lady as the killer. A group of strangers trapped together in a dangerous setting, and one of them is secretly out to get them all? It’s cliche, but it’s also immensely intriguing. And just about everyone was able to predict that it would blow.īut the premise was exactly the sort of thing that was bound to hook me. The trailers for the film provided 100% of the excitement you’d have been able to extract from a full-length viewing. Night Shyamalan’s name in its marketing campaign like it was the only selling point they had (and as it turns out, it was). It came right after The Last Airbender, yet paraded M. I know I shouldn’t have gotten excited for Devil. And if you hadn’t been able to guess, every single part of this list is a massive spoiler. So here are eight films with “twist” endings I saw coming a mile away, ranked by just how obvious and predictable those reveals were. But if it doesn’t do it well enough, I can’t help but feel gypped. I’m more than happy to let the art do its thing. It’s always disappointing when it happens, because I never go into a film trying to outsmart it. So every once in a while, you can not only identify when a movie is going to have a giant twist at the end, but you can pinpoint exactly what it will be. But there are plenty of people just like me, and Hollywood knows that, resulting in tons of movies designed to shock you with their big reveal in the closing minutes. I love surprises in fiction, particularly when they’re well-crafted and leave you reeling. ![]()
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